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Beethoven Prometheus Overture Program Notes

Ludwig van Beethoven (1770-1827) Overture to Die Geschöpfe des Prometheus (The Creatures of Prometheus), Op. 43

Beethoven's Overture to The Creatures of Prometheus, composed in 1801, holds a special place in his oeuvre as the introduction to his only full-length ballet score. Written during a transitional period in his career, between his First and Second Symphonies, it showcases a lighter, more graceful, and often humorous side of the young composer, while also containing a tantalizing preview of his future greatness.

A Mythological Ballet for Vienna

The ballet, Die Geschöpfe des Prometheus, tells the ancient Greek myth of Prometheus, the Titan who stole fire from the gods to give to humanity. In this specific version, created by the renowned Italian choreographer Salvatore Viganò (uncle of the famous ballerina Maria Taglioni), Prometheus also brings two clay statues to life and then educates them, civilizing them through the arts, science, and music – the very gifts of humanity.

The ballet premiered on March 28, 1801, at the Burgtheater in Vienna. It was a considerable success, running for an impressive 28 performances, indicating its popularity with Viennese audiences. For Beethoven, it was an important commission that allowed him to explore a different genre and develop his orchestral writing in a more lyrical and dramatic-narrative context.

An Overture with a Famous Secret

The overture itself is a vibrant and energetic piece, perfectly setting the stage for the dramatic action and allegorical themes of the ballet.

  • Dramatic Flair: It begins with a slow, rather

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    Prometheus-op43 (Die Geschopfe des Preometheus)   
    Composed in 1801. The Creatures of Promethus.
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