William Boyce (baptized February 7, 1711 – February 7, 1779) stands as a significant figure in 18th-century English music, a composer whose work bridged the Baroque and Classical eras and whose dedication to preserving England's musical heritage left an invaluable legacy. Born in London, he began his musical journey as a chorister at St Paul's Cathedral, a formative experience that instilled in him a deep appreciation for sacred music. His talent quickly became apparent, leading him to further his studies with the esteemed German-born composer Johann Christoph Pepusch, a key figure in London's musical scene and best known for his role in The Beggar's Opera.
Boyce's career blossomed through various prestigious appointments. He served as organist at several prominent London churches, including St Bride's Church and St Michael Cornhill, gaining a reputation for his skill on the instrument. In 1736, he was appointed composer to the Chapel Royal. Perhaps his most significant appointment came in 1755 when he succeeded Maurice Greene as Master of the King's Musick, a role that required him to compose odes for royal birthdays and New Year's Day, among other court duties. He also held the post of organist at the ironically named "Chapel of the Lock Hospital" (a hospital for venereal diseases), where he composed some of his most beautiful anthems.
One of the most interesting aspects of Boyce's life was his pioneering work in preserving early English church music. Around 1750, he undertook the monumental task of compiling and editing a collection of