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Completed in Salzburg in April 1773 (or revised in 1775) while Mozart was serving as concertmaster in the court orchestra of Prince-Archbishop Hieronymus Colloredo, this bright, galant work reflects the Italianate influence of Pietro Nardini and Giuseppe Tartini across a spirited Allegro moderato, an expressive Adagio, and a brisk Presto finale.
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