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Composed in Paris circa 1782–1783 during Viotti’s sensational debut seasons at the Concert Spirituel, this early French-period masterwork blends the singing Italian bel canto tradition of Pugnani with bold Parisian orchestral theatricality, highlighted by a radiant opening Allegro maestoso, an expressive Adagio espressivo, and a sparkling, dance-like Rondeau finale.
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